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The Adventures of Sherlock Holmes

Arthur Conan Doyle

The Adventures of Sherlock Holmes is a collection of twelve short stories by Arthur Conan Doyle, first published on 14 October 1892. It contains the earliest short stories featuring the consulting detective Sherlock Holmes, which had been published in twelve monthly issues of The Strand Magazine from July 1891 to June 1892. The stories are collected in the same sequence, which is not supported by any fictional chronology. The only characters common to all twelve are Holmes and Dr. Watson and all are related in first-person narrative from Watson's point of view.

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The Count of Monte Cristo

Alexandre Dumas (père); Auguste Maquet

The Count of Monte Cristo (French: Le Comte de Monte-Cristo) is an adventure novel by the French writer Alexandre Dumas. It was serialised from 1844 to 1846, then published in book form in 1846. It is one of his most popular works, along with The Three Musketeers (1844) and Man in the Iron Mask (1850). Like many of his novels, it was expanded from plot outlines suggested by his collaborating ghostwriter, Auguste Maquet. It is regarded as a classic of French and world literature. The novel is set in France, Italy, and islands in the Mediterranean Sea during the historical events of 1815–1839, the era of the Bourbon Restoration through the reign of Louis Philippe I. It begins on the day when Napoleon left his first island of exile, Elba, beginning the Hundred Days period of his return to power. The historical setting is fundamental to the narrative. The Count of Monte Cristo explores themes of hope, justice, vengeance, mercy and forgiveness. It follows the life of Edmond Dantès, a young sailor who is falsely accused of treason, and imprisoned in the prison Château d’If. There, he meets Abbé Faria, who educates him and reveals the location of a hidden treasure on the island of Monte Cristo. After escaping, Dantès recovers the treasure, and transforms himself into a wealthy and enigmatic nobleman. Under the identity of the titular Count of Monte Cristo, he enters high society in Paris and begins a calculated plan of revenge against those who betrayed him, including Danglars, his former ship's supercargo; Fernand, the cousin and suitor of his fiancée; and Villefort, the crown prosecutor who ensures his imprisonment to protect his own career. In the end, he abandons complete devotion to revenge, seeks redemption, and departs with his former slave and lover Haydée, leaving others to confront the consequences of both their actions and his. The Count of Monte Cristo achieved widespread popularity upon its serialized publication in 1844, attracting large audiences across Europe who followed its installments with sustained interest and discussion. Contemporary accounts describe it as one of the most widely read works of its time. Its popularity has endured and is today viewed as a classic, with the novel remaining continuously in print and adapted into many films and television series. The work has also inspired later literature across genres, including historical fiction, science fiction, and modern retellings, and continues to be regarded as a significant and widely influential novel.

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The Divine Comedy

Dante Alighieri

The Divine Comedy (Italian: Divina Commedia) is an Italian narrative poem by Dante Alighieri, begun c. 1308 and completed c. 1321, shortly before the author's death. It is widely considered the pre-eminent work in Italian literature and one of the greatest works of Western literature. The poem's imaginative vision of the afterlife is representative of the medieval worldview as it existed in the Western Church by the 14th century. It helped establish the Tuscan language, in which it is written, as the standardized Italian language. It is divided into three parts: Inferno, Purgatorio, and Paradiso. The poem explores the condition of the soul following death and portrays a vision of divine justice, in which individuals receive appropriate punishment or reward based on their actions. It describes Dante's travels through Hell, Purgatory, and Heaven. Allegorically, the poem represents the soul's journey towards God, beginning with the recognition and rejection of sin (Inferno), followed by the penitent Christian life (Purgatorio), which is then followed by the soul's ascent to God (Paradiso). Dante draws on medieval Catholic theology and philosophy, especially Thomistic philosophy derived from the Summa Theologica of Thomas Aquinas. In the poem, the pilgrim Dante is accompanied by three guides: Virgil, who represents human reason, and who guides him for all of Inferno and most of Purgatorio; Beatrice, who represents divine revelation in addition to theology, grace, and faith; and guides him from the end of Purgatorio onwards; and Saint Bernard of Clairvaux, who represents contemplative mysticism and devotion to Mary the Mother, guiding him in the final cantos of Paradiso. The work was originally simply titled Comedìa (pronounced [komeˈdiːa], Tuscan for "Comedy") – so also in the first printed edition, published in 1472 – later adjusted to the modern Italian Commedia. The earliest known use of the adjective Divina appears in Giovanni Boccaccio's biographical work Trattatello in laude di Dante ("Treatise in Praise of Dante"), which was written between 1351 and 1355 – the adjective likely referring to the poem's profound subject matter and elevated style. The first edition to name the poem Divina Comedia in the title was that of the Venetian humanist Lodovico Dolce, published in 1555 by Gabriele Giolito de' Ferrari.

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